[Tickle Training #2] "Don't touch me...! Ah... hahahaha!" Office lady Tamashiro Kaho, restrained at the limbs while wearing sportswear, until her anger turns into pleading. [TK-097]

* This work is fictional, and all persons appearing in it were 18 years of age or older and were filmed with their consent.

"Don't touch me...! I didn't hear anything about this...! Ah... hahaha! No...!"

Hoping to relieve the fatigue of work, office worker Tamashiro Kaho visits a massage parlor. However, what awaits her there is a baptism of fire disguised as "training," far from relaxation. Dressed in sportswear, she shows her displeasure with a dignified expression, but her pride is shattered in an instant.

"Wait... not my armpits... ah... hahahaha! Stop it...!"

During squats and sit-ups, the relentless support attacks her exposed armpits and unprotected soles. She tries to refuse, ordering him to stop in a scolding tone, but her voice cracks and is swallowed up by high-pitched laughter.

Although she managed to escape once, she was brought back only to be subjected to a "special course" in which her limbs were completely restrained.

"Let go...! Ah... hahaha! My soles... nooo...! Please stop... please...!"

She is now in an extreme state where she is not even allowed to move a single fingertip. Her body twitches repeatedly in despair from the relentless stimulation. The woman who had always stood firm as the senior female employee now has tears in her eyes and pleads, "Please"—the depth of this transformation far surpasses that of the previous work.

In stark contrast to the massage scenario of the previous installment, this film's greatest highlight is its structure that takes advantage of the character's vulnerability during training, and the escalation from escape to being brought back and then having her limbs restrained. The three stages of emotional change—anger → laughter → tearful pleading—are particularly striking because of her attribute as a senior office worker.

I highly recommend this to those who were excited by Tamashiro Kaho's confusion and submission in the previous work, those who are drawn to situations where limbs are restrained, and those who get a thrill from the moment when "the bossy woman's anger turns into pleading."